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21.What can Research for Classroom Learning help a teacher do in the class?A.Evaluate self-learning abilities.B.Read specific passages.C.Improve teaching efficiency.D.Solve the real-world problems.22.Which course requires students to take regular tests?A.Creole Language and Culture.B.Mobile Software Engineering.C.Artificial Intelligence.D.Research for Classroom Learning.23.What do the last two courses have in common?A.They consist of video lectures.B.They are online computer science courses.C.They use the same programming language.D.They offer class materials on the course's webpage.BWhat's the first thing that pops into your mind when you think of wheat straw?Most people would probably just see it as a pile of waste in a farmer's field.However,Wu Cui,an intangible cultural inheritor,can turn the straw left overfrom harvested wheat into beautiful and eye-catching functional artworks.The earliest straw-weaving(草编的)products were discovered at HemuduCultural Ruins,a Neolithic cultural site located in eastern China's Zhejiangprovince.The Book of Rites,one of the classical works of Confucianism,alsorecords that there were already mats made of cattail grass and professional straw-weaving craftsmen during the Zhou Dynasty.Straw weaving is a method of manufacturing daily items or artworks.It waslisted as a national intangible cultural heritage in 2008.Wu explains the process of straw weaving:selection of materials is the firststep of a complicated,time-consuming and labor-intensive process that can takeweeks,or even months,to complete.You need to sketch the piece on paper,which requires drawing skills.Next comes weaving,shaping and preserving of thework.Even by finishing that process,it does not mean that you will always create agood piece of work,and the hardest part is to make it lifelike.In the past,woven straw items could be found almost in every household inthe countryside,such as straw hats and straw shoes,because they were practicalin everyday life.But due to the impact of industrialization,manufactured goodshave replaced such products,which yield low profits,and there are only about 100individuals engaging in the work across the country."The world has changed,andcraftsmen need to transcend practicality and pursue the beauty and artistry of strawculture to help the craft survive and thrive,"Wu says.From her perspective,straw weaving should respond to people's needs andpreferences,while still drawing inspiration from traditional culture."Craftspeopleshould make a great effort to grasp the trends and opportunities of the times tocreate new and relevant products,she says.When asked about her plans,Wusays she wants to dig deeper into local traditional culture and create culturalcreative products by developing the straw-weaving technique.英语试题第4页（共10页）
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